#Gary schwartz dna doctor archive

Let’s hope this scientific gaze at the history of cinema is of equal interest to both film buffs and people who are passionate about science. Five years, five cities, about fifty screenings and the same number of presentations and debates.

#Gary schwartz dna doctor archive

As well as the usual homes of the Basque Film Archive (Artium, Tabakalera and the Bilbao Fine Arts Museum), it will travel to two privately-run cinemas that have taken an interest in this project: Golem Baiona in Pamplona and Cinéma Le Sélect in Saint-Jean-de-Luz.

TTo end with, it is worth highlighting that Cinema and Science season is expanding for its fifth anniversary. The Man in the White Suit (Alexander Mackendrick, 1951) is a magnificent classic which focusses on research in the physics and chemistry of materials faced with the society that receives its results. Echoes of Demon Seed (Donald Cammell, 1977) can be felt in the recent Titane (Julie Ducournau, 2021) and will also serve as an example of 1970s cinema that warned about the dangers of artificial intelligence.

Neuroscience will be featured in Inception (Christopher Nolan, 2010), a noteworthy cinematic exercise for debate. Space research is a constant feature of our season and this edition will host two films about the subject: Ikarie XB 1 (Jindrich Polák, 1963), a Czech classic that is a precursor of other key science fiction titles and Contact (Robert Zemeckis, 1997), starring the great Jodie Foster.

Hope (Maria Sødahl, 2019), which has won major international prizes, gives us a close look at the world of the battle against cancer. Annaud, 1981) will take us on a trip to prehistory to get to know human beings better. Moby Dick (John Huston, 1956) and Gorillas in the Mist (Michael Apted, 1988) will submerge us in knowledge of the animal kingdom, in the same way that Quest for Fire (J. This year’s harvest is once again deliberately eclectic: we will screen The Prize (Mark Robson, 1963) to reflect upon the stimulus of awards in the world of science. Screenings, presentations and debates are the DNA of this season forged from reasoned and firm defence of cinema and science, with the noteworthy presence of prestigious scientists. The fifth edition of this season organised by the Basque Film Archive, Donostia International Physics Center (DIPC) and the San Sebastián Film Festival will continue its determined quest for the transmission of cinematographic and scientific culture. Over the last almost two years of pandemic, a minority have been distrustful, but the tremendous and early development of the vaccines, with essential international collaboration, has shown precisely how necessary science is for humanity today. In its search for knowledge, science has been, and still is, key for our society’s progress: it has made our lives better, longer and less painful, despite not always supplying us with immediate and absolute certainties, as astrophysicist Jocelyn Bell warned us.